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Dnevnik.hr
Gol.hr
Zadovoljna.hr
Novaplus.hr
NovaTV.hr
DomaTV.hr
Mojamini.tv
Zovu me Silk. Idem u X.gimnaziju u Zagrebu.
Nakon nje mislim upisat kemiju.....privlaci me pomisao na to
da jednoga dana izumim lijek protiv AIDS-a ili stvorim
svoju malu atomsku bombicu...
Vaga sam po
horoskopu. Tvrdoglava sam,svojeglava,drzim se svoga puta i
razmisljam na svoj nacin bez obzira na sve...
Jako sam ne odlucna (vaaaaagaaaaa)
makar znam sto hocu..al mi recimo treba tri dana da
odlucim da li cu piti Colu ili Pepsi. Strasno...al takva sam..
Inace sve negativno drzim u sebi pa puknem s vremena
na vrijeme,a onda mi je neugodno ispricati se....hahahh...
Stvarno puno dajem na ljude kojima vjerujem i koje
cijenim,a takvih imam malo,no dosta,te sam jako
sretna sto ih imam. I btw ovisna sam o slatkom.....
totalno 
VOLIM
cokoladu,zivotinje,aute,opicene ljude,ljeto samo po
sebi zbog odmaranja al ne zbog vrucina...crnu
boju,dobre filmove,dobru muziku,ples,pjevanje,
rukomet...nogomet,cvike,ledeni od brusnice,
svoj kvart,smijeh....the plant...
...provodit
svoje slobodno vrijeme sa onima koje volim...
igrati biljar i jamb..itd
NE VOLIM
Naporne i dosadne ljude,cvilidrete,ulizice,zene
koje nemaju cilja u zivotu,laskavce,komplimente,
kukce,egoiste,egomane,one koji misle da
se svijet vrti oko njihove osi (haloooooo,HELIO
centrican sustav)..prazne price,lazan smijeh,ljude
bez osobnosti,one koji zive posnimavajuci
tude korake,ratove,rano jutro,trebice....
Slusam:
dub,reggae,drum n bass,psy,rock,metal....
od toga volim: Asian Dub Foundation,Dub Inc.,
Leftfield,Bob Marley,Black Uhuru,Coldplay,Placebo,
Vibrasphere,The Prodigy,Faithless,Evanescence,
Franz Ferdinand,Dual Core,Depeche Mode,
Slipknot,Siddharta....ha,valjda je to to..
NOBODY LIKES NOTHING.
I CERTAINLY WISH
WITH ALL MY HEART
THAT IT DID NOT EXIST.
BUT WISHING IS NOT ENOUGH.
WE LIVE IN THE REAL WORLD
WHERE NOTHING DOES EXIST,
WE CAN NOT JUST DISINVENT IT.
NOTHING IS NOT COMPREHENSIBLE
NEITHER YOU NOR I HAVE ANY HOPE
OF UNDERSTANDING JUST WHAT
IT IS AND WHAT IT DOES.
IT IS HARD TO KNOW
IF A POLICY OF DOING NOTHING
IS SUCCESSFUL.
NOTHING HOWEVER EFFECTIVE
IT MAY HAVE PROVED UP
TO THE PRESENT
CAN HARDLY CONTINUE
TO DO SO INDEFINITELY.
IF I HAD TO CHOOSE
BETWEEN THE CONTINUED
POSSIBILITY OF NOTHING HAPPENING
AND OF DOING NOTHING..
I WOULD UNQUESTIONABLY
CHOOSE THE LATTER
OR THE FORMER..
Ovak,da...iskreno neznam kak da opisem ovu muziku. Meni su najbolji,definitivno.. Obozavam ADF A sad evo nest o njima....ENJOY 
Asian Dub Foundation are 21st century MIDI warriors. Their distinctive sound is a combination of hard ragga-jungle rhythms, indo-dub basslines, searing sitar- inspired guitars and 'traditional' sounds gleaned from their parents' record collections, shot through with fast-chat conscious lyrics.
1998's album 'Rafi's Revenge' on London Records met with much critical acclaim and received a Mercury Prize nomination. By that time already considered one of Britain's most exciting live bands, this album helped to introduce them to a wider audience.
They started off in 1993 at London based organisation Community Music where bassist Dr Das taught music technology. He teamed up with one of his students, rapper Deeder Zaman and civil rights worker DJ Pandit G to form a sound system to play at anti-racist gigs. The following year they recruited guitarist Chandrasonic and started moving further afield. With Sun-J joining in 1995 on live technology and 'radical movements,' the line up was complete.
Their debut album 'Facts and Fictions' (Nation Records) came out in 1995 and was largely overlooked by a country obsessed with retro guitar pop. And at that time, to be 'Asian' was yet to be considered
'cool.' On the continent however, ADF were given ample opportunity to tour and develop their performance skills. Their musical and lyrical package was met with considerable enthusiasm, especially in France where their second album 'R.A.F.I.' was released by Virgin France in 1997. The following year's 'Rafi's Revenge' was in fact a re-recorded, recharged version of R.A.F.I, energised through extensive live playing.
It was Primal Scream who finally brought ADF to the attention of the British media. ADF toured the UK with them in the summer of 1997 having by now signed to London. The Primals also collaborated with ADF on the single 'Free Satpal Ram,' which has done much to draw attention to the situation of an Asian man whom they both believe is yet another recipient of British rough justice.
ADF spent most of 1998 touring, consolidating their reputation for uplifting live sets and for attracting culturally mixed audiences. In Britain, Primal Scream's championing of ADF was soon vindicated. Journalists were taken aback by their energy and made inadequate comparisons to well known previous punk bands. Little did they realise, that aside from having played in front of mad French audiences, it was their own ignoring of the band that had made ADF focus in such a way. ADF performed at many major festivals in the UK and the rest of Europe as well as at Fuji Rock in Japan. A Beastie Boys support tour in the autumn introduced them to the US where they received a warm welcome, much to their own surprise.
ADF's forceful presence has helped to demolish many stereotypes of Asian musicians and by extension, Asian people. An acknowledgement of this came in the form of the BBC Asian Award for Music in December 1998.
Their higher profile enabled ADF to attract funding from the London Arts Board to establish ADF Education (ADFED) to promote and practice the teaching of music and technology to young people. ADFED now functions as an independent organisation running various workshops in London.
ADF did their first headlining tour of the US and Canada in the Spring of 1999 getting an excellent response, with the majority of the dates being sold out. Audio Active from Japan accompanied ADF on this tour and it was dubbed the 'Asian Invasion.'
Their third album 'Community Music' was released in March 2000, named of course after the place where they started and out of respect to their ethnically and culturally diverse 'outernational' fanbase. It showcased a more spacious sound that utilised amongst other things, strings and horns, surprising those who had expected more 'jungle punk.'
With extensive European touring and a trip to Singapore, Australia and New Zealand and their first tour of Japan, ADF consolidated their reputation for being one of hardest working live bands. Their last tour of France saw them working for the first time with an extended line-up featuring drummer Rocky Singh whom they first encountered in Toronto, MCs Aktarvata & Spex from the Invasian, which emerged out of ADFED, and dhol player Pritpal Rajput. These musicians are now a permanent live fixture.
After playing his last gig on new year's eve 2000, and having fulfilled his live and touring commitments for that year, Deeder Zaman left the band to dedicate his time to working with grassroots civil rights and anti-racist organisations as he had planned to do so for some time. He had generally wished to have a break from music, in particular the heavy touring aspect, and explore other avenues of life having been in the band since the age of fourteen.
In March 2001 the band composed and performed a live soundtrack for the film 'La Haine' as part of the 'Only Connect' season at the Barbican. The event met with critical acclaim and enabled the band to showcase their instrumental skills, so often overshadowed by the so-called 'political' aspects of their work.
Their British Council organised trip to Brazil in April 2001 was the first tour with the new ADF line-up. All band members engaged in music workshops with young people and sound systems as well as the actual gigs. Spex and Aktarvata drew upon their experience as members of ADFED to demonstrate the MPC 2000 sequencer. The concerts themselves were a resounding success, ADF performing allongside top Brazillian bands such as Orappa, Nacao Zumbi and Afroreggae. The passion and resourcefulness of the musicians they met had an enormous impact on the members of the band.
In the autumn the band was dropped from London Records who were in the process of shedding most of their roster. ADF, who had been rehearsing new material and recording from the spring, immediately set about negotiating a new worldwide deal with Labels/Virgin France. The deal was eventually signed in May 2002.
ADF rounded off the year with a their first extensive tour of Eastern Europe. They were shocked by the level of support and enthusiasm showed by the fans there. In Yugoslavia they played to 8,000 people; their largest club date ever and in Bulgaria to 3,500. All in all like Brazil the band came away from the tour very uplifted and inspired.
The beginning of 2002 saw long-time inspiration Adrian Sherwood come on board as executive producer of the new album, restoring focus to a project slightly derailed by the swapping of labels. Sherwood, amongst other things, brought in new producers/programmers such as Jaswad to contemporise some of the beats and sounds. The release was expected to be early 2003.
As usual ADF punctuated studio work with touring. In March 2002 they had an amazing visit to Cuba, once again sponsored by the British Council. Much to their surprise over 5000 people turned up to watch them at the Salon de Rosada, a venue more associated with salsa. Unlike the Manics' trip to Cuba the crowd didn't have to be bussed in!! The gig also involved collaborations with top Cuban band Sintesis and the excellent hip hop duo Anonimo Concejo. Again another awe-inspiring trip which will no doubt inform and influence ADF's global outlook to music and politics.
ADF's album 'Enemy of the Enemy' was released Feb 2003. It includes contributions from guitarist Ed O'Brien from Radiohead, Sinead O'Connor, Hindi vocalist Sonia Mehta, On-U Sound's Ghetto Priest and long time friend and collaborator, Navigator.
ADF's new album "TANK" was released in Japan on February 18th 2005 and the rest of the world on 28th Feb on their own "Rinse It Out" label distributed by Labels/Virgin.
Evo clanova:
Chandrasonic..
Cyber..
Dr.Das..
Ghetto Priest..
Lord..
Pandit G
Sun-J
Neke fotke sa koncerata:
ADF je band koji definitivno preporucam,morate ih bar cut..nevjerojatni su
A najbolja stvar je: ...........nemogu se odlucit,toliko dobrih ima da zapravo ja neznam koja je recimo najbolja (meni osobno)..No svejedno R.A.F.I. je album koji svatko treba poslusat
Pricali mi prijatelji i oni prezivljeli pricu o tome kako sam nastala. Neki covjek je dosao u nas dom,ubrao moju mamu i moga tatu,stavio ih u vrecu i odnesao na susenje.Radio je za jednog velikog covjeka. Ovi vele da bas i nije bio poslusan i tog kobnog dana je uzeo moje roditelje (posusene 
),izvadio neki cudan papir,tanak,mastan papir....te obican papir na koji je poloziomoje najdraze. Poceo ih je mrviti u sitne,sitne komadice i odjeljivati sjemenke koje je bacao na pod. Zamotao ih je u taj cudan papir i zapalio. Tada je pala kisa,no covjek se nije sklonio nego je taj neobican smotuljak poceo dodirivati usnama i vuci nesto iz njega..Iz njegovih usta je izlazio dim (duh mojih poginulih roditelja). Stalno se smijao i plesao. Prezivjeli kazu da vidjeli bjesavijeg covjeka nisu.
Od one jedne male sjemenke sam nastala ja. Danas sam u ranom pubertetu i malo mi fali da postanem lijepa. Shvatila sam da nas ljudi koji nam dolaze u posjetu vole.Stalno nas gledaju i provjeravaju jesmo li dovoljno veliki. Brinu se o nama. Prijatelji mi govore da se pazim i da se trudim sto manje rasti,ali ja ne razumijem zasto...kazu da cu zavrsiti ko moji roditelji.
Prepala sam se. I od onda ja vise ne rastem. Sve oko mene su odnosili,motali,odnosili,motali,ali mene ne...ja sam jos tu! I zivjeti cu dovjeka!!!!
DUB INCORPORATION: Galerer
refrain :
galérer, galérer, il n'est pas donné à tout le monde,
une chance de réussir sans que le destin nous innonde,acharné
mais pense qu'il y a sur terre un temps,une majorité (x2)
couplet :
depuis tant d'années tu penses avancer à reculons
te sentir con d'aller venir demander de l'aide à ta maison
mais si par hasard, un jour tu t'égares
pour finir par faire de la maille, travailler sur le trottoir
non, non ce n'est pas une solution, que d'aller vendre ton âme
je n'ai pas à te faire de suggestion tu connais bien tes armes
souffrir dans la misère, te nourrir d'amour amère
la vie ne fais pas de cadeaux tu en fais les frais sur cette terre.
illusions, vivre ou mourrir ton libre arbitre a ses raisons
tentations, un lendemain qui chante saura attirer le pardon
couplet :
ils t'ont fait espérer, donné une chance a ta famille
t'ont promis des papiers,assure une vie qui brille
en occident rien ne coule, mais que des navires qui dérivent
et pour cette vie meilleure tu as choisi leurs directives...
c'est dans le froid des capitales, dans les bras, dans les rales,
une vie nouvelle mais le brouillard qui s'installe
mais qui es-tu roumaine,malienne, afghane
le tiers-monde qu'on déroule, le tiers monde qu'on étale
ces fils de chiens ont leur vivier misère et source de bonne table
pendons les haut et court tu sais qui sont les indésirables
ils ont volé tes armes, et les ont jeté dans les flammes....
Brijem da zapravo nitko ne kuzi ove lyricse al glavno da je stvar odlicna. Fakat je...pa ak ce tko imat vremena nek si ju skine (mislim na ljude koji vole takvu muziku )..
I ak netko zna prevest neka mi se obavezno javi!!!